Journalism is serious business. Just recently, a Greek investigative reporter was shot dead outside his home in a suburb of Athens. Even in Germany journalists are increasingly being physically attacked, which is why Reporters Beyond Borders downgraded the country’s state of press freedom from “good” to “satisfactory” in its latest report. Especially in Central and Eastern Europe, politicians and oligarchs are cornering independent media. And then German comedian Jan Böhmermann came along and landed a newsstand, TV and social media hit with a satirical magazine, “Freizeit Magazin Royale”, poking fun of German publishers. What got young people most worked up? Guess: that Böhmermann’s magazine was out of print after a few days.
One should still not deny young audiences a sense of seriousness too easily. Humor is a serious matter, and it doesn’t take attacks on caricaturists to get this. The trend of young people increasingly approaching the news through comedy has been showing for a while. A study in the journal Journalism highlighted this in the U.S. as early as 2007, a decade after the launch of “The Daily Show” on Comedy Central. Since then, corresponding formats have been developed in many places. Modern newsrooms better get down to this soon: Mastering lighter formats is the key to getting the next generation excited about news. This is easier written than done though.
Satire is one of the journalistic genres that fails most often. What is satire, what is just bad taste and what is even inhumane? This was the subject of a heated debate in Germany just under a year ago, when a not-so-funny column by Hengameh Yaghoobifarah in the taz newspaper equated the police with garbage and therefore caused a lot of concern – right up to the Federal Minister of the Interior and the German Press Council. Even more than other forms of journalism, which can be mastered acceptably with craft, persistence and a lot of practice, satire requires a certain talent – in other words, humor. To make matters worse, this is even culturally coded.
Not everyone can and should laugh at everything. Humor exerts power, and therefore tends to work better from bottom up. There is a huge difference between rebelling against established power structures and cementing them by joking from above. For this reason, a show in which privileged presenters amuse themselves about political correctness is very prone to go wrong. This happened famously with the failed #allesdichtmachen campaign, in which well-known actors supposedly wanted to argue ironically for freedom of expression in the Covid 19 crisis. Too bad that parts of the public perceived this, at best, as whining from the designer kitchen.
American communications scholar Danna Young describes in her 2019 book “Irony and Outrage” that satire involves a certain basic liberal attitude that values freedom of thought and takes a playful approach to serious things in life. The counterpart to this in the right-wing political spectrum is the rise of rage talk shows, she argues.
The traditional media move between these poles. Their journalists work in the facts business and rarely in the humor field. Facts are unambiguous and clear by definition. Humor is ambiguous and lives through interpretation. Mixing things up is dangerous. Especially in social media, humor is often difficult to identify. Moreover, many reporters and commentators rarely feel like laughing (see above), cynicism excluded.
Still, humor works just fine with young audiences. Rule number one: It must not underestimate its addressees. The German (print) magazine Katapult is such a hit with the young generation, because it casually mixes factual depth and lightness. Subtitle: “Magazine for icecream, cartography and social science”, need we explain more? Young users prefer journalism that explains, is useful in their daily lives, and is fun, according to a study published by the Reuters Institute in Oxford.
The fun factor is still limited when consuming most established media. In the past, it was considered proof of belonging to the educated class, if one had to struggle properly while reading the newspaper. Today, status postures only trigger boredom. After all, the more easily digestible alternative is already waiting – on YouTube or Tik Tok. Now, it’s not about replacing news and analysis with satire. If you can’t bring it up to premium quality when it comes to humor, you better leave it. What everyone can work on, however, is tone. Many podcasts work so well because they come across as light and chatty.
Newspapers can still work on it. Some essays exude more enthusiasm of the writers about themselves and their clever sentences rather than mastery of language. To the audience, they only seem embarrassing. Young people in particular have good antennae for jokes being made at the expense of the weak. They don’t perceive it as funny, but as offensive and discriminatory. Lecturing is out, taking seriously is in. When in doubt, it’s okay to make fun of yourself. You don’t even have to be a comedian to do that.
This column appeared in German in the newsletter of the Digital Journalism Fellowship at Hamburg Media School on April 23, 2021. Translated with www.DeepL.com/Translator (free version) and then edited.
The British public can’t get enough news about Brexit – at least, that’s what news platforms’ data analytics say. But, according to the Reuters Institute’s latest Digital News Report, 71% of the British public tries to avoid media coverage of the United Kingdom’s impending departure from the European Union. This disparity, which can be seen in a wide range of areas, raises serious questions about news organizations’ increasingly data-driven approach to reporting.
The rise of data analytics has made journalists and their editors confident that they know what people want. And for good reason: with a large share of news consumed on the Internet, media platforms know exactly which stories readers open, how much they read before getting bored, what they share with their friends, and the type of content that entices them to sign up for a subscription.
Such data indicate, for example, that audiences are interested in extraordinary investigative journalism, diet and personal-finance advice, and essays about relationships and family. They prefer stories with a personal angle – say, detailing an affected individual’s fate – rather than reports on ongoing conflicts in the Middle East or city hall coverage. And they are drawn to sensational stories – such as about US President Donald Trump’s scandals and antics – under “clickbait” headlines.
But if newsrooms were really giving audiences what they wanted, it seems unlikely that almost one-third (32%) of respondents in the Digital News Report, the world’s largest ongoing survey of online news consumption, would report that they regularly avoid news altogether. But they did, and that figure is up three percentage points from two years ago.
The most common explanation for avoiding the news media, given by 58% of those who do, is that following it has a negative effect on their mood. Many respondents also cited a sense of powerlessness.
Moreover, only 16% of participants approve of the tone used in news coverage, while 39% disapprove. Young people, in particular, seem fed up with the negativity bias that has long been regarded as a sure-fire way to attract audiences. For many, that bias feels disempowering. Conversations indicate that the problem is compounded for young parents, who want to believe that the world will be good to their children. Younger generations also feel consuming news should be more entertaining and less of a chore.
One reason for the disconnect between the data and people’s self-reported relationship with the news media may be the “guilty pleasure” effect: people have an appetite for voyeurism, but would prefer not to admit it, sometimes even to themselves. So, even as they click on articles about grisly crimes or celebrity divorces, they may say that they want more “quality news.”
When newsrooms indulge readers’ worst impulses, the consequences are far-reaching. Media are integral to support accountability by anyone wielding power or influence, and to mobilize civic engagement. Democracies, in particular, depend on voters being well informed about pressing issues. News organizations thus have a responsibility to report on serious topics, from political corruption to climate change, even if they are unpleasant.
That does not mean that readers’ complaints about media’s negativity bias should be disregarded. On the contrary, if people are to be motivated to confront challenges that are shaping their lives, they should not be made to feel powerless.
This is where so-called solutions journalism comes in. By balancing information about what needs changing with true stories about positive change, news organizations can fulfill their responsibility both to inform and to spur progress. This means occasionally recognizing that over the long term, living standards have improved globally.
Reconnecting with audiences will also require media organizations to broaden their perspectives. In much of the West, it is largely white, male, middle-class journalists who decide what to cover and how. This limits news media’s ability to represent diverse societies fairly and accurately.
In fact, only 29% of Digital News Report respondents agreed that the topics the news media choose “feel relevant” to them. A joint study by the Reuters Institute and the Johannes Gutenberg University in Mainz, Germany, indicates that the key to increasing this share is to increase diversity in newsrooms.
At the same time, news media need to do a better job of contextualizing and otherwise explaining the news. While 62% of Digital News Report respondents feel that media keep them apprised of events, only half believe news outlets are doing enough to help them understand what is happening. At a time when nearly one-third of people think that there is simply too much news being reported, the solution seems clear: do less, better.
This means listening to readers, not just studying the data analytics. It means balancing good news with bad news, and offering clarifying information when needed. It also means representing diverse perspectives. Media organizations that do not make these changes will continue to lose trust and relevance. That is hardly a sound strategy for convincing consumers that their work is worth paying for.