Tag: #humour

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Humor is constructive – Why laughing about climate change can open paths to solutions

Is it okay to laugh heartily even when the situation is serious? Yes, because it is precisely in these situations that humor can help journalism to make formats interesting even for people who might not care otherwise. A plea for more humor – in everyday life and at work.

Doom-scrolling rarely works. Research shows that journalism on climate change is more likely to have an impact if it not only highlights the many different issues involved, but also offers a few solutions. People who report that they regularly avoid the news would like to see more offerings that give them hope and explain things, rather than having to digest the same drama over and over again. This is also confirmed by the Reuters Institute’s latest Digital News Report. But what about humor? Is it okay to laugh heartily, even when the situation is serious?

One might seek permission posthumously from great humorists. In the 1942 comedy “To Be or Not to Be,” director Ernst Lubitsch even had his actors joke about concentration camps while World War II raged outside. But it’s not just about being allowed to joke – subject to a few rules, of course. Evidence suggests that humor is particularly effective at spurring people to action. This is, because jokes convey unpleasant truths the light way. They hold up a mirror to people without making them feel guilty, and for that very reason invite them to reflect about their behavior.

Laughing at yourself instead of feeling guilty

This also works when it comes to climate change. Matt Winning is a Scottish environmental economist. After work, he often climbs up London stages as a stand-up comedian; for a few years now, he has been combining hobby and profession. “We have to make content for people we don’t make content for,” he said in an interview for the report “Climate Journalism That Works: Between Knowledge and Impact.”

His shows, he says, are not so much for environmental professionals, activists and policy experts, as for those people who have been more peripherally involved with climate action. He says he is touched when such guests linger around at the end of the show to tell him that they have now got rid of their car, given up on flying for their summer vacations or found out about heat pumps. In his book “Hot Mess: What on earth can we do about climate change?” Winning tries to get people to understand the topic in a playful way.

Maxwell Boykoff and his colleague Beth Osnes are trying out something similar at the University of Colorado in Boulder. They had initiated the ” Inside the Greenhouse” project as a collaboration between the departments of theater and environmental policy. They published their first findings from it in an academic article in 2019: A light approach to the issues around climate change helps students confront their own feelings, especially fears, deal with them creatively and become better climate communicators, they said.

Why humor can help at the working place

Professors Jennifer Aaker and Naomi Bagdonas teach humor in management at Stanford Business School. In their book “Humour, Seriously – Why Humour is a Secret Weapon in Work and in Life” they describe the role that cheerfulness can play in achieving (business) goals. Humor builds community, strengthens problem-solving skills and resilience. Managers who can laugh at themselves appear close and authentic.

In journalism, young people in particular appreciate humorous formats. It is important to them that content is useful, but they also like it to be fun. A study published in 2021 by the Annenberg School for Communication at the University of Pennsylvania found that young consumers remembered news better when it was presented in a humorous way. More brain regions would be activated during laughter. The rise of TikTok as a channel for news delivery – also documented in the recent Digital News Report – shows how quickly a platform specializing in lighter fare can catch on.

Of course, humor will always be just a complementary form of communication. This is the case also because only a few people have mastered the subject to perfection. For example, one basic rule is: Humor works when you punch up or among your peers. Anyone who makes fun of those conceived to be less powerful is most likely to miss the mark – which is why joking is a tightrope walk for leaders. In any case, what someone laughs at and what jokes he or she makes depends on the cultural context but also reveals a lot about character. As Aaker and Bagdonas write, “Humor is a kind of intelligence you can’t fake.”

This text first appeared in German as an Op Ed on Focus online on June 23, 2023. It was translated with www.DeepL.com/Translator and edited. 

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In the fun business – Journalism that wants to reach young audiences needs to work on humour

Journalism is serious business. Just recently, a Greek investigative reporter was shot dead outside his home in a suburb of Athens. Even in Germany journalists are increasingly being physically attacked, which is why Reporters Beyond Borders downgraded the country’s state of press freedom from “good” to “satisfactory” in its latest report. Especially in Central and Eastern Europe, politicians and oligarchs are cornering independent media. And then German comedian Jan Böhmermann came along and landed a newsstand, TV and social media hit with a satirical magazine, “Freizeit Magazin Royale”, poking fun of German publishers. What got young people most worked up? Guess: that Böhmermann’s magazine was out of print after a few days.

One should still not deny young audiences a sense of seriousness too easily. Humor is a serious matter, and it doesn’t take attacks on caricaturists to get this. The trend of young people increasingly approaching the news through comedy has been showing for a while. A study in the journal Journalism highlighted this in the U.S. as early as 2007, a decade after the launch of “The Daily Show” on Comedy Central. Since then, corresponding formats have been developed in many places. Modern newsrooms better get down to this soon: Mastering lighter formats is the key to getting the next generation excited about news. This is easier written than done though.

Satire is one of the journalistic genres that fails most often. What is satire, what is just bad taste and what is even inhumane? This was the subject of a heated debate in Germany just under a year ago, when a not-so-funny column by Hengameh Yaghoobifarah in the taz newspaper equated the police with garbage and therefore caused a lot of concern – right up to the Federal Minister of the Interior and the German Press Council. Even more than other forms of journalism, which can be mastered acceptably with craft, persistence and a lot of practice, satire requires a certain talent – in other words, humor. To make matters worse, this is even culturally coded.

Not everyone can and should laugh at everything. Humor exerts power, and therefore tends to work better from bottom up. There is a huge difference between rebelling against established power structures and cementing them by joking from above. For this reason, a show in which privileged presenters amuse themselves about political correctness is very prone to go wrong. This happened famously with the failed #allesdichtmachen campaign, in which well-known actors supposedly wanted to argue ironically for freedom of expression in the Covid 19 crisis. Too bad that parts of the public perceived this, at best, as whining from the designer kitchen.  

American communications scholar Danna Young describes in her 2019 book “Irony and Outrage” that satire involves a certain basic liberal attitude that values freedom of thought and takes a playful approach to serious things in life. The counterpart to this in the right-wing political spectrum is the rise of rage talk shows, she argues.

The traditional media move between these poles. Their journalists work in the facts business and rarely in the humor field. Facts are unambiguous and clear by definition. Humor is ambiguous and lives through interpretation. Mixing things up is dangerous. Especially in social media, humor is often difficult to identify. Moreover, many reporters and commentators rarely feel like laughing (see above), cynicism excluded.

Still, humor works just fine with young audiences. Rule number one: It must not underestimate its addressees. The German (print) magazine Katapult is such a hit with the young generation, because it casually mixes factual depth and lightness. Subtitle: “Magazine for icecream, cartography and social science”, need we explain more? Young users prefer journalism that explains, is useful in their daily lives, and is fun, according to a study published by the Reuters Institute in Oxford.

The fun factor is still limited when consuming most established media. In the past, it was considered proof of belonging to the educated class, if one had to struggle properly while reading the newspaper. Today, status postures only trigger boredom. After all, the more easily digestible alternative is already waiting – on YouTube or Tik Tok. Now, it’s not about replacing news and analysis with satire. If you can’t bring it up to premium quality when it comes to humor, you better leave it. What everyone can work on, however, is tone. Many podcasts work so well because they come across as light and chatty.

Newspapers can still work on it. Some essays exude more enthusiasm of the writers about themselves and their clever sentences rather than mastery of language. To the audience, they only seem embarrassing. Young people in particular have good antennae for jokes being made at the expense of the weak. They don’t perceive it as funny, but as offensive and discriminatory. Lecturing is out, taking seriously is in. When in doubt, it’s okay to make fun of yourself. You don’t even have to be a comedian to do that.

This column appeared in German in the newsletter of the Digital Journalism Fellowship at Hamburg Media School on April 23, 2021. Translated with www.DeepL.com/Translator (free version) and then edited.